FORMALDEHYDE: THE PRESERVATION OF POETRY

Thursday, June 24, 2010

Anthony Seidman's Where Thirsts Intersect

Anthony Seidman’s Where Thirsts Intersect published by Bitter Oleander Press, is not a book meant to be strolled through lightly with a margarita in hand and the ocean waves lapping at your feet. This is a collection meant to be taken seriously, each word acknowledged with consideration. Seidman’s complex diction and sprawling narratives spin the reader into new worlds with each new poem. He does not hand over his images on a silver platter, but instead asks his reader to put the same effort into each poem as he has put into writing them. By doing so there becomes a mutual respect of effort from both writer and reader alike. Seidman utilizes sound and language to explore belonging and place as he transports his readers to new realms. In For Ti Jean, For Kerouac this attention to sound becomes acutely prevalent as I find myself in the car of a train, the rhythm of the line chugging and gaining momentum as the poem progresses drifting off into the morning “dew.” In Cabal, Seidman carries us to another world as he does in so much of his work. In the end, I feel as though I am in a place beyond my own existence, “raincoat dripping on mat, fist offering a coin to the cupped hands of another man praying?”

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